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Somersaulting Through History : Research conducted on the history of the Circus

Thursday, April 23, 2015

Music and themes


"The cornerstone of circuses in America has always been music, without music we should never

have had a circus parade, slideshow, big top performance, concert, or after-show." (The

American Circus 2012)  

\Circus music has become highly iconic and of course has become easily recognizable.  As unto many 

performances, the music and accompaniment is what inspires an audience members to experience 

intense levels of varying emtions.  And every sound, ever crash, every drumroll was specifically placed 

there for a reason, created with precise intent to lay down the framework for an

experiential emotional masterpiece.

Many other influential circus musical stars included Maestro Merle Evans, Weber, Rossini, Liszt,

Wagner, Mendelssohn, Tchaikovsky\[], Beethoven, Puccini, Schubert, Boito, Mozart, Jullien,

Gottschalk, Toch, Schuman, Piston, Charles Ives, and many, many more.

  

 The grand spectacle or "spec" referred to the lavish main attraction of the show.  Popular 'specs'

included: Cleopatra; The Death of Captain Hook; The American Revolution; Lalla Rookh and the

Departure from Delhi; Jack and The Beanstalk; The Veiled Prophet; The Crusades; Field of Cloth;

Aladin and His Wonderful Lamp; Joan of Arc; Marco Polo; and Mother Goose.

Now there was one more theme that seemed to reoccur quite frequently: patriotism.  Often you would 

find circuses putting on grand spectacles that revolved

around the most recent up-to-date news and information about the rapidly expansion of the

United States.  Media sources and newspaper companies commonly struck deals with

companies, promising to provide a continuous stream of news and also committing to review

the shows and print press releases.  At the tragic assassination of President McKinley in 1901,

The Ringling Bros. Circus canceled their afternoon showing to participate in the memorial with

the rest of the public. 

"Deep down in the breasts of even the clowns and the sideshow freaks is a well-

spring of patriotism...The Ringling Bros., even though at great loss to themselves,

with commendable respect for the government to which they owe allegiance,

and the great body of American people from which they derive their patronage,

cut out their afternoon performance yesterday, in order that their employees

might join with the public generally in doing honor to the foremost American of

his time...With true loyalty to the Stars and Stripes, and with profoundest

reverence and respect for the dead president, they joined in hold a memorial

service that in sincerity and devotion, was exceeded by none of the many

remarkable outpourings of grief and reverence the land over." (Ringling, Annual

Circus Ringling Bros 1978)

 This honorable act, along with others from different groups, advertised and sent out a

cry that they were patriotic, honorable, and as far from profit-minded as possible.




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